Best movies online right now

Excellent Amazon Prime movies online right now? Ek Tha Tiger, directed and co-written by Kabir Khan, is a classic story of falling in love with your enemy. The storyline depicts the life of a RAW agent known as ‘Tiger’ (essayed by Salman Khan). A comparatively secure mission sends him to Dublin, Ireland. While in Ireland, he must keep an eye on an Indian-origin nuclear scientist accused of sharing his research findings with Pakistan’s defense department. He then befriends and falls in love with the scientist’s assistant Zoya (Katrina Kaif). The journey between them that follows is rough, and this is one of the spy movies on Amazon prime. Find even more details at watch.

James Cameron’s first Terminator (and second feature) is less of a pure-popcorn action flick than its upscaled sequel, but that makes it all the more terrifying of a movie—dark, somber, replete with a silent villain who calmly plucks bits of his damaged face off to more precisely target its victims. The task in front of Kyle Reese (Michael Biehn) and Sarah Connor (Linda Hamilton) seems so insurmountable—even with a soldier from the future, going after the T-800 (Arnold Schwarzenegger, duh) with modern weapons is so ineffectual, it’s nearly comical. It’s as if Schwarzenegger is playing entropy itself—entropy seemingly a theme of The Terminator series, given the time-hopping do-overs, reboots and retreads since. You can destroy a terminator, but the future (apparently driven by box office receipts) refuses to be changed.

Several words about streaming services : Hulu’s web interface for live and on-demand content looks much more modern now than in years past, with big, flashy sliders and easily discoverable content. Hulu is planning to make interface text more legible in a forthcoming update. The homepage highlights noteworthy shows with horizontally scrolling lists below for categories such as Live Now, My Channels, Sports, News, and Hulu Originals. At the top of the page, you get categories for Live TV and My Stuff. Search and Account options live in the upper right-hand corner of the screen. The search feature is not as robust as the one offered by YouTube TV, which allows you to combine terms (such as “Science Fiction” and “1982”). In the account section, you can manage billing details and your subscription add-ons. You can also add user profiles for individual users, a feature we appreciate. While you can restrict certain profiles to kid-friendly content only, that’s not as flexible as other platforms’ capabilities, which let you set restrictions by content ratings.

Tom Hardy’s gift for hulking intensity and charismatic growling are in full effect in Capone, a fictionalized account of the last year in the life of the legendary American gangster. Trapped in a palatial Florida estate, his mind deteriorating thanks to neurosyphilitic dementia, Al Capone (Hardy) rants, raves, soils himself and freaks out over hallucinatory visions of people, and events, from his past. Writer/director Josh Trank’s film is a subjective affair told largely from Capone’s POV, so that nothing can be trusted and yet everything speaks, symbolically, to the man’s deep-seated ambitions, fears and misgivings. It’s a headfirst dive into delusion, told with free-flowing suspense and absurd comedy, all of which comes to the fore during a late scene in which Capone opens fire on his friends and family with a giant golden tommy gun while wearing a diaper and chomping on a cigar-like carrot. Part Cowardly Lion, part Bugs Bunny, and altogether ferocious even as his sanity frays, Hardy’s Capone is yet another triumph for the star, who ultimately captures his protagonist less through imposing physicality than via his dark, glassy, lost eyes.

The second feature to go out under the aegis of Barack and Michelle Obama as part of their Higher Ground series for Netflix, it’s an inspirational civil-rights documentary that sounds as if it’s going to be Good for You rather than good but turns out to be both. Directed by Nicole Newnham and Jim LeBrecht (who was born with spina bifida and appears onscreen), the film begins in 1971 in the Catskills’ Camp Jened, where teen and 20-something “cripples” (a word then used) are elated by the freedom to shed their defenses and feel at home. Their camp experience lays the foundation for a seminal demonstration in which disabled people (among them the commanding Judy Heumann) occupy HEW headquarters for more than a week. It’s both a profile of people determined not to be invisible — merely getting to the point where they could make themselves seen required a psychological revolution — and a rousing celebration of the activist counterculture that inspired and sustained them.