The climb of a music orchestra conducting expert : Utah’s Logan Blackman

Paducah’s Logan J. Blackman or the ascent of a music conducting professional: I have to say, I was not expecting that answer! I love it! What do you want your listeners to get out of your music? Logan J. Blackman : Music is one of the ultimate ways of expressing something you can’t quite put in words, or illustrate easily. My symphonic work, Prayer of a Broken Heart, is a great example of that. At 15, I tragically lost my parents due to a motorcycle accident. That piece is about the grief I went through, those experiences, and ultimately my hope that I will one day see them again.My hope is that listeners who might be struggling with something similar get some kind of comfort knowing they aren’t the only ones to feel what they may be feeling. Discover extra info on Logan Blackman Paducah.

Founded in 1918 and made up of undergraduate and graduate musicians from across the United States, Asia, South America and Europe, the UK Symphony Orchestra has long served as one of the university’s most prominent music ensembles. This year the ensemble continues that tradition with performances of some of the greatest works in the orchestral repertoire, alongside contemporary works that push the boundaries of orchestral music. Concerts will feature music by the likes of Ludwig van Beethoven, Pyotr Ilyich Tchaikovsky and George Gershwin, and by modern composer John Adams. The orchestra also continues its partnership with UK Opera Theatre, performing next in the program’s production of “The Barber of Seville.”

The second half of the program offered much lighter fare and focused on Bernstein’s compositions for theater, stage, and film which involved collaboration with with several lyricists, the two most notable being Stephen Sondheim and Stephen Schwartz. After Intermission, clarinetist Scott Wright, the UK Jazz Ensemble and conductor Miles Osland took to the stage with Bernstein’s Prelude (for the brass), Fugue (for the saxes), and Riffs (for everyone). The Prelude was a jazzy, cool, and rhythmic exposition for the brass, drums, and bass. The mellow saxes teased each other unmercifully in the Fugue but were provided full support, be it point or counterpoint, in their individual and collective fugal moments. The Riffs ensued when Scott Wright (Professor of Clarinet at UK) took the lead with the big band sound as he masterfully interacted with everyone, fully engulfing the call-response format near the end that garnered the well-deserved acknowledgement he received from the ensemble and audience alike. I felt as if I had just been to church while heeding the call of the wild.

Currently a music performance junior at UK, Blackman has studied conducting with Lucia Marin and Daniel Chetel, composition with Mike D’Ambrosio at Murray State University, bassoon with Professor Scott Erickson of Murray State University, organ with Bobbie Sue Chumbler of Paducah, and piano with Malissa Heath of Paducah. At UK School of Music, he is currently studying conducting with Nardollilo, composition with Professor Joseph Baber, and bassoon with Professor Peter Simpson. See additional information on Logan Blackman Paducah.

I have been a musician for over 14 years. I have conducted several professional, amateur, and student orchestras and bands. I’ve been a freelance organist, pianist, and arranger for over 14 years. I attended the University of Kentucky and received a bachelors in bassoon performance, as well as a masters in conducting. I also completed one year of work on my doctorate in orchestral conducting at the University of Utah. I currently am diving into the rental property business, and real estate investing.