The upsurge of a gifted composer : Johnny Hachem

Meet Johnny Hachem and some of his music composer philosophy: Johnny has performed his compositions as a soloist at several concerts and international festivals in Ukraine, Lebanon, Switzerland, France, Austria, Germany, England, Spain, Poland, Romania, the Netherlands, Lithuania, Belarus, South Korea, Jordan, Egypt, the United Arab Emirates, Bahrain and Qatar. He has also composed the music of many films, most notably the documentary film by Carmen Labaki: “I Knocked on the Temple’s Door”. To his name, he has a piano concerto, clarinet concerto, Violin concerto and a large variety of instrumental and orchestral compositions that have been performed in Europe & the Middle East. Discover additional details at Johnny Hachem.

Some of your works are artistic storytelling of war drama, like “The Battle of Siddim” or biblical themes, like “The Fall of Jericho” or your award-winning “Jacob & Rachel, The Love Story” others are more of standalone pieces like “Dawn”. How do you choose your themes? Is there a constant composing process like Haydn had or you go with improvisations to hone your pieces? Johnny Hachem: My musical compositions often talk about specific events that happened in the past or about certain circumstances that I lived or I dream of living. But when I am playing my own compositions in a piano recital, I always like to have a space to improvise according to how I feel at the time. Improvisation is an essential part of composition. The great composer Rachmaninov did this at several concerts when he was performing his own compositions.

He also composed a very successful orchestral piece, ‘The Battle of Siddim’, now known as ‘The Valley of the Dead Sea.’ This composition has been chosen and performed by The Lebanese Philharmonic, Lebanon, Lublin Philharmonic, Koshalin Symphony & Torun Symphony orchestra in Poland in just one year. Oriental Piano Project is one of the most uniquely composed tunes he has worked on. For that, he chose a good number of old traditional songs from the Orient that had never been written for the piano before. The project became extremely successful as these arrangements were performed in more than 15 countries in the last 12 years and were greatly admired by the audience.

Let’s have some fun: Douglas Adams said Bach invented blues. I tend to agree with him. What about you? Johnny Hachem: I definitely agree! For example, the American Jazz composer and pianist, the founder of the “Modern Jazz Quartet” was heavily influenced by Bach. He did a Jazz album of Bach compositions “Blues on Bach” and The American Jazz saxophonist, violinist, trumpeter & composer Ornette Coleman did many solos on Bach’s Prelude in C major. For me, Bach is the father of all music genres.

Mingle Music UK, wrote about him: To his name, he has a piano concerto, clarinet concerto and a large variety of instrumental and orchestral compositions that have been performed in Lebanon and Europe. Johnny is also a professor at the Lebanese Higher National Conservatory of Music. He has achieved a Masters degree in composition with distinction. It is true that nurturing talent takes practice, dedication, willingness to sacrifice and, of course, determination to keep the goal clear, even when the spot gets tight. When it comes to utter devotion and perseverance, Johnny Hachem, a Lebanese-Ukrainian composer and pianist, is one musician who has proved that with hard work, you can achieve anything in life.

How does it feel these days living in Ukraine, a tinderbox in the world, a multi-ethnic country, one famous for art and creativity? Johnny Hachem: I love Ukraine so much, it is my second country by all meanings. First, this country is very beautiful and so are its people. I got to know my wife Tetiania (Ukrainian) when I was giving a concert here nine years ago and I fell in love with the Ukrainian culture. The people of this country love music and art and they are pioneers in all artistic fields.